{"id":1462,"date":"2018-11-07T12:33:11","date_gmt":"2018-11-07T14:33:11","guid":{"rendered":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/?p=1462"},"modified":"2018-11-07T12:33:11","modified_gmt":"2018-11-07T14:33:11","slug":"feminismos-2","status":"publish","type":"post","link":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/2018\/11\/07\/feminismos-2\/","title":{"rendered":"FEMINISMS"},"content":{"rendered":"<p style=\"text-align: justify\"><strong>BRAZIL, MASCULINE NOUN &#8211; RESISTANCE, FEMININE NOUN<br \/>\n<a href=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/programacao\/16-de-novembro-sabado\/\">NOV 16<\/a> \u2013 3pm @ <a href=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/ccsp-centro-cultural-sao-paulo\/\">CCSP \u2013 Sala de Ensaio I<\/a><br \/>\n<\/strong><\/p>\n<p style=\"text-align: justify\"><em>Brazil, 2019: the first trimester of the year saw a 76% increase in cases of femicide; S\u00e3o Paulo is the state that kills the most lesbians nationwide; in the past year, over 180 cases of rape per day were recorded; a woman is assaulted every four minutes, 70% of the population from occupations are women. This table gathers a group of women sharing their stories and struggles to prove that, more than data and numbers, this is Brazil\u2019s reality. How to survive this whilst keeping mental health in check?<\/em><\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4046 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/elisabeth-soares_48864901118_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/strong><\/p>\n<p style=\"text-align: justify\"><strong><br \/>\nElisabeth Soares<\/strong><br \/>\nPsychologist, works in the clinic and social fields, with a people-centered approach.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4086 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/luana-hansen_48865619477_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nLuana Hansen<\/strong><br \/>\nDJ, MC, music producer, speaker, feminist and LGBTQI+ activist for over 20 years in the hip-hop movement.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4104 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/monica-benicio_48870593971_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nMonica Benicio<\/strong><br \/>\nRaised in Mar\u00e9 favela, she\u2019s feminist and human rights activist. Graduated in architecture (Pontifical Catolic University of Rio de Janeiro) and master\u2019s student in architecture and urbanism.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4052 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/fernanda-gomes_48864901168_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nFernanda Gomes<\/strong><br \/>\nSocial assistant. Member of the Luana Barbosa, Brejo da Sul, Samba Negras em Marcha and Siga Bem Caminhoneira collectives.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4076 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/lcia-udemezue_48864901038_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nL\u00facia Udemezue<\/strong><br \/>\nEducator, social scientist and researcher in the antropology of popular cultures. Works in the field of public policies for issues of gender, race\u00a0and ethnicity.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: justify\"><strong>INVISIBLE WOMEN IN CINEMA<br \/>\n<a href=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/programacao\/16-de-novembro-sabado\/\">NOV 16<\/a> \u2013 5pm @ <a href=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/ccsp-centro-cultural-sao-paulo\/\">CCSP \u2013 Sala de Ensaio I<\/a><br \/>\n<\/strong><br \/>\n<em>Throughout history, cinema has been an art-form ran mostly by men, and to women all that was left was the role of an object depicted through male point of view. <\/em><em>Reverting this scenario, we watch the growing professionalization of women behind the scenes. However, amongst this fight there are still minorities struggling for <\/em><em>acknowledgment in a field that is as sexist as it is classist: black, lesbian and transgender women. This talk focuses on the obstacles and accomplishments of these <\/em><em>professionals that still are invisiblized even within a minority.<\/em><\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4026 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/ana-flavia-cavalcanti_48865782768_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/>Ana Flavia Cavalcanti<\/strong><br \/>\nAl\u00e9m do Tempo e Malha\u00e7\u00e3o &#8211; Viva a Diferen\u00e7a on Rede Globo. She\u2019s part of the cast of the TV serie named Sob Press\u00e3o. R\u00c3, her directing debut, is being edited. Ana Flavia is the creator of the performances A Bab\u00e1 Quer Passear (The Babysitter Wants to Sighsee) and Servi\u00e7al (Maid).<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4060 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/julia-katherine_48838797476_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nJulia Katharine<\/strong><br \/>\nActress, screenwriter and filmmaker. She acted and co-wrote Lembro Mais dos Corvos (I Remember the Crows) (2018). Julia won the Helena Ignez Award, dedicated to the works of women in cinema, at the 21st Tiradentes Film Festival.<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4034 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/carol-rodrigues_48877140741_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nCarol Rodrigues<\/strong><br \/>\nDirector and screenwriter of films such as Their Happiness, participates in screenwriting teams of many TV series.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4084 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/lina-chamie_48865658982_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nLina Chamie<\/strong><br \/>\nWith awarded films screened in and outside Brazil, her cinema experiments with language and is permeated with a humanist character.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: justify\"><strong>GHETTO FILMMAKING THROUGH WOMEN\u2019S PERSPECTIVES<br \/>\n<a href=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/programacao\/20-de-novembro-quarta-feira\/\">NOV 20<\/a> \u2013 5pm @ <a href=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/ccsp-centro-cultural-sao-paulo\/\">CCSP \u2013 Sala Jardel Filho<\/a><br \/>\n<\/strong><\/p>\n<p style=\"text-align: justify\"><em>A talk with women sharing their experiences in ghetto production: How different are these narratives? May we say this is a social and cinematic movement? Is this perspective inherent to a social character, to its collectiveness?<\/em><\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4048 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/fernanda-correia_48864750488_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nFernanda Correia &#8211; Coletivo N\u00f3s, Madalenas<\/strong><br \/>\nN\u00f3s, Madalenas Collective: sharing the same issues, such as gender inequality, social inequality, and the feminine.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4094 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/mayara-efe_48865014223_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nMayara Efe<\/strong><br \/>\nGraduated in Broadcasting, with a specialty in cinematographic direction. CEO and creative director at Ira Filmes, a production company that creates several audiovisual productions for the internet.<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4100 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/micheli-moreira_48865419606_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nMicheli Moreira<\/strong><br \/>\nMember of the Luana Barbosa, Zoooom and Periferia Preta collectives. Graduated in business administration. Activist in issues of marginalization, gender and race.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4122 alignleft\" src=\"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-content\/uploads\/2019\/11\/thais-scabio_48860810517_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><br \/>\nThais Scabio<\/strong><br \/>\nFilmmaker, filmclubist and artistic educator. Iniciated in the audio-visual scene through cultural workshops in the city of Diadema, in 1999.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: center\"><strong>2018 FEMINISMS:<\/strong><\/p>\n<p style=\"text-align: center\">\n","protected":false},"excerpt":{"rendered":"<p>BRAZIL, MASCULINE NOUN &#8211; RESISTANCE, FEMININE NOUN NOV 16 \u2013 3pm @ CCSP \u2013 Sala de Ensaio I Brazil, 2019: the first trimester of the year saw a 76% increase in cases of femicide; S\u00e3o Paulo is the state that kills the most lesbians nationwide; in the past year, over 180 cases of rape per [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":2124,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1462","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mix-brasil-conference"],"_links":{"self":[{"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/posts\/1462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/comments?post=1462"}],"version-history":[{"count":0,"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/posts\/1462\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/media\/2124"}],"wp:attachment":[{"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/media?parent=1462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/categories?post=1462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bkp.brainwp.com.br\/redemix\/27\/wp-json\/wp\/v2\/tags?post=1462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}